Rays

2024

Oil and reflective vinyl on canvas

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Late to Turn

Oil, Chalk, Stone, Vinyl.

2023

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Hacking Edges

Paint and vinyl on canvas

2023

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Reservoir

2024

Reflective Vinyl, plastic tubing, steel, wood, wax, water, pump

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Sheets and Edges

2024

Paint and Collage on canvas

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Holding Yellow

2021

Antique Engraving, reflective vinyl, and a cutout of another artists photograph printed in a show catalog...Three periods, three artists, layered together. More explanation, credits later.

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Alphabetical

2021

Antique Engraving, Reflective Vinyl

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The Conference of the Birds

2021

Antique Engraving, Reflective Vinyl

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Acacia Cultiformis (Secret Handshake)

2021

Antique Engraving, Refelective Vinyl

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Acacia Oxycedrus

London, 2021

Antique Engraving, Reflective Vinyl

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The Parish Church of Alhallons the Great

London, 2021

Antique engraving and reflective vinyl

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Olive Grove

Reflective Vinyl

2023

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Heat Down

2023

Paint, Vinyl, Plastic, Stone

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Paracuru

Pastel, Paint, Reflective Vinyl, Plastic, Canvas.

2023

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Modification

Wood, Paint, Reflective Vinyl

2023

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Ceará

Paint, Reflective Vinyl, Plastic, Wood.

2023

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New Leaves

Reflective Vinyl

2023

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Hokusai's Children

2023

Reflective Vinyl

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Sun Setters Series

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Suns for Basho

2021

Wood, acrylic, hi-vis vinyl

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Upgrade

2019

Anderson Ranch Arts Center, Snowmass, Co.

Mixed Media

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Confetti

Wood, reflective vinyl, asphalt patch.

2021

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Ricordarsi

Ink on newsprint

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Hot Tin

Aluminum, Vinyl, Model Tarmac, Model Turf, Nails

2019

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Shroud Piece

 Canvas, Plaster,Acrylic,PalmAsh Wax,Singed Burlap

48" x 48" x 0”

2016

The use of plaster, a decision made for its material likeness to human bone, singed burlap, and melted wax are ephemeral materials which speak to active transformation. The plaster itself, was sculpted as it crystallized. In other words, it was not poured into a mold, or treated as a fixed surface. In this regard, I was working with an active material. Just as smoke dissipates, or wafts through the air, so to the action of the works invention is done unconventionally through the embrace of the ephemerality, and active transience of the material. The act of burning the burlap, which is held onto the work melting palm ash wax, embody the notion of simultaneously a beginning and an end. The rope, being symbol both of continuity, but also being bound. The moment of destruction as being the moment of invention. This idea I borrowed from nature, as seen in the destruction and regeneration after a forest fire, or perhaps even, a supernova. To me, this is not unlike the function of memory.


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Relief

Ink on newsprint

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White Mountains Jar

2016

Canvas, acrylic, oil, plaster, ash, wood charcoal

48" x 48" x 0”

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Fermata

2016

Pigment wash, oil stick, barn wood, acrylic

96" x 60"

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Message

Ink on newsprint

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Departed

2016

Canvas, oil stick, marble dust, steel rod

48" x 48"


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Unmet

2020

Mixed media on canvas

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Plunge

2020

Mixed media on canvas

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To Lorca

To Lorca

2020

Mixed media on canvas

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Angels of the Leaves

2016

Canvas, wood, plaster, marble dust, wire, clay, ash, oil

114" x 96" x 4”

An homage to the etched glass work of John Hutton in the windows of Canterbury Cathedral.


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Mitosis

2016

Paint, plaster, heat, flame retardant insulation, charcoal on canvas

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She Sang and Singing Made

2019

Mixed media on canvas

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Lift

2019

Anderson Ranch Arts Center, Snowmass, Co.

Gel Transfer, Foam core.

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Tabulae

2019

Anderson Ranch Arts Center, Snowmass, Co.

Ceramic Shell, Foam Core

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Fan

2019

Anderson Ranch Arts Center

Wood, canvas, paint

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Packaging/Un-packaging

Wood, canvas, ceramic shell

2019

Made at the Anderson Ranch Arts Center

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Pull

2019

Wood, canvas, paint

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Currao

Ink and pencil sketch on paper.

2023

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Fragments

2019

Wood, canvas, ceramic shell

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Yesterday's Sun Preparatory Sketch

Ink and pencil on paper

2022

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Tempietto del Vento (Sketch)

Ink on paper

Study for Wind Project on The Land With No Name

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Trabucco

Preparatory Drawing

Ink on Paper

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Sky Chimney

Preparatory Drawing

Ink on Paper

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